Performance Details

The fifth FRAGMENTS was shown as part of the East London Printmakers 12th Exhibition.

The Triangle Gallery
SPACE, 129-131 Mare Street, Hackney, London E8 3RH

Thursday 15th July - Monday 19th July 2010

Description of the Work

FRAGMENTS is made in collaboration between Katsura Isobe, a dance artist, and Jairo Zaldua and Nicola Green, experimental printmakers. Originating from a short story, 'Diary of a Madman' by Nikolai Gogol, each artist's interpretation together creates the psycho-physical world of FRAGMENTS, which responds to the architecture of the performance space, and focuses on the experience of viewers.

This Blog

This blog has been created as part of the fifth FRAGMENTS in 2010.

The bolg is a diary of us, which attempt to establish our world by another mean, literature, which will culminate in the performance. The creative team records events and ideas from 100% first-person's point of view. How much does it communicate with you? How can you imagine what I imagine? And how do you know what is the real and what is imagination? We appreceiate your comments that would bring on two ways communication between you and us.

Sunday 30 May 2010

Freedom and Responsibility


Jairo and Nicola are away for their deserved holiday in Cornwall.

I am thinking, how to 'promote' our project.

And this is not only this project but generally my practice as 'Dance Artist'.

'Dance Artist' sounds great but in fact it means the person does all the activities you can think of in dance- creation, choreography, performance, teaching, marketing, fundraising, researching, writing etc. The person is almost like the whole theatre organisation, you know, like Sadler's Wells.

And Dance Artist tend to be self-employed, which means s/he is constantly looking for some idea for a project, looking for a work, and never makes decent income.

But I am not writing this to mourn. I am saying that we have great freedom as well as responsibility with what we do, what happens to us and how we respond.

For me, this idea opens up more possibilities and wider view of an issue. I believe this kind of flexibility in the way of seeing is vital for being an artist. And perhaps to enjoy life.

So anyway, I am becoming more aware of the responsibility in the project and feeling that I have to make more action.

'Experience of the audience' is the largest consideration in FRAGMENTS. We don't want the audience to watch the performance from outside, but they should be part of it.

The audience should be part of creative process.
The audience should affect our creation.
The audience should enjoy themselves.

So we want to make a framework for the 'experience of the audience'.

This blog is one of the attempt.

You can be part of the creative process.
You should affect our creation.
You should enjoy yourself.

By reading and leaving a comment in this blog.

We will do the same.

Tuesday 18 May 2010

heeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeELP

Katsura
arrived
at
our
studio
at
11am
last
F r i d a y.

We were suffering from severe lack of s l e e p and an artistic hangover.
Barely able to string a sentence together,
we
did
however,
reveal our secret weapon for the installation.
Katsura said the design would be like 'dancing with air'
New possibilities and complications sprang up, simultaneously.
We
talked
about
moving
forward,
not repeating the paper chamber of our last excursion.

The project has altered and so will the experience of the audience.
Assistance is needed to help actualise the development of our project and so we ask with hope and gratitude for whoever can come forward.
Is there anyone who wants to join us??????????

Sunday 16 May 2010

HEEEEEEEELP!!!

Jairo and Nicola told me that they wanted to meet up with me. So we met at their studio last Friday morning.

Their studio has huge tables and machinery that they use for printmaking, and also some creative energy with smell of coffee that someone made for her break.

I keep it secret but I saw new printing material from Jairo and Nicola. This changes the whole structure of the installation, and also the way I interact with the installation. And the way the audience interact with it too.

This is the fun bit to work on.

Then we had to talk about the dates, times, helpers, the entrance fee, the bookings...

This is not very much fun to work on.

The project is growing so much. We need kind people who could help us hanging the installation, doing front of house, and creating/editing sound on the spot.

I generally don't like asking people a help.
But this time, we will have to scream

HEEEEEEEELP!!!